Call to Worship
Just down Ridge Street, only a couple blocks from my house, a trio in neon orange vests semi-circled near heavy machinery. An orange sign propped atop the sidewalk informed me that road work was ahead. A line of orange cones cut into the paved lane, requiring drivers to creep through the tight squeeze. The youngest of the three gripped the T-handle of a jackhammer, steel driver resting ready on asphalt marked with blue spray-paint lines where the steel would bust the ground to smithereens. He clutched tight, but too tense, like a little-leaguer with his bat before the first pitch on his very first opening day.
The other two encouraged him, “Hold that big button now. Be ready.” One of them fired a growling generator, and the man clinching the steel watched me out of the corner of his eye, not wanting any strange faces to interrupt this moment he’d probably been dreaming of for years. I’m familiar with this fantasy, steering a wild jackhammer, blasting concrete and rock until nothing’s left but rubble and exhausted energy. I know what it is to be on the verge of sheer joy, sweaty palms and excited, taut muscles, ready.
Is it blasphemy to say The Band did “Atlantic City” better than The Boss himself? A strong mandolin makes everything better.
Passing the Peace
The one fellow who refuses to look me in the eye continues his bulldogged persistence. Several weeks ago I thought we had a breakthrough, but apparently I only caught him when he let his guard down and allowed his eyes an inadvertent glance as I brushed past. In this sacred environ, he is the equivalent of the bookish man who refuses to surrender his one spot on the pew and who will walk out at 12:01 if the service has not concluded. Thankfully, there’s also a young newcomer who walks peppy and every single day tips his baseball hat at me when he says hello, like he’s the sheriff and I’m one of his townfolk.
Some mornings, I listen to one of Krista Tippett’s interviews. She always posts the edited version (the one produced for broadcast) and the unedited version (the complete feed, without any doctoring, thus including hiccups and technical snafus and rabbit trails that will surely never see the light of day). Perhaps my favorite part of the unedited track is the long pauses, the silences that make their way into a conversation that is real, not scripted. These silences come when you are not trying so hard to sound smart but rather to listen well, to be present with the one sharing your conversation. If there is a word I think we need to use more, it’s pause.
Me to Wyatt and Seth: I love you. Have a great day. I’ll miss you.
Miska to me: I love you, beloved.